A young woman’s desire to break free of convention in a rural village community is tested to the full in the subtitled short ALA KACHUU – TAKE AND RUN.

Sezim (Alina Turdumamatova) is nineteen and keen to study in the Krygyz capital, but her mother (Taalaykan Abazova) sees nothing more for her than a traditional marriage kneading dough properly and staying away from her best friend Aksana (Madina Talipbekova), who lives in the city. Taking a job at a local bakery, she is confronted by three youths who are after her colleague.

When she locks up the shop, she is kidnapped and taken back against her will to an organised wedding to Dayrbek (Nurbek Esengazy Uulu) and discovers that her family are determined to shackle her to the union, driving away and leaving her in a seeming life-long shackle of unhappiness….

Writer/director Maria Brendle’s emotionally charged analysis of rural tradition against a woman’s desire to be independent hits on all fronts amidst some spectacular location cinematography, beautifully rendered by DOP Gabriel Sandru.

About the Film-maker:

Maria Brendle is an award-winning director and scriptwriter based in Zurich, Switzerland.

She received her bachelor’s degree in film from the Zurich University of the Arts and her Master’s Degree in Cognitive Neuroscience (AON) from the Academy of Neurosciense Cologne.

Maria graduated from the renowned Drehbuchwerkstatt Munich. She works with a focus on women issues.

www.maria-brendle.de

Director Statement:

ALA KACHUU – TAKE AND RUN tells the story of a young Kyrgyz woman who becomes the victim of a bride kidnapping.

Although this custom is prohibited by law in Kyrgyzstan it is still widespread in other regions of the world under the guise of tradition. Only a few girls are able to escape marriage after the kidnapping. Many accept their fate, for fear of being rejected and ostracized.

The film is based on the true fates of young women who have confided their experiences to me during my many years of research. I am convinced that the stories of these women deserve attention.

As a film-maker, I would like to contribute to the sensitization of society for women’s rights and give a voice to those who are rarely heard. The Kyrgyz name for the bride kidnapping is ‘Ala Kachuu‘. My aim was to depict its usual course of events, but with a strong character who has the courage to stand up for herself.

Producing the film in a foreign country was a great adventure. Apart from the language barrier, it was also necessary to bring together two completely different cultures. The respectful interaction with each other, the intercultural team spirit and the openness of the Kyrgyz people impressed me deeply and led to one of the most valuable experiences of my life.”

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